by Jerry ElengicalPublished on : Mar 24, 2022

"Designing is a journey of exploring," shares MDO (More Design Office) in an official release, while ruminating on their latest project - Vanke Joy Hill, a ceremonial community lounge for Shenzhen-based real estate developer Vanke in Dongguan, a city located within China’s Guangdong province. As a space that celebrates the traditions associated with the region’s roots in Lingnan culture, the project strives to connect Chinese images and symbols with the aesthetics of contemporary design, fashioning an elegant fusion that speaks to modern tastes. The Shanghai-based firm translated the region's spirit and intangible heritage into their interior design intervention through the medium of local crafts, drawing precedents from weaving techniques and archetypal elements of Lingnan-style architecture.

"The team believes that a city's symbols are signs that connect people with its culture,” mentions MDO. They add, “The project explores the connection between oriental aesthetics and modern design, traditional images and modern symbols. The design team respects and uses reason to refine the urban culture of Dongguan, depicting forgotten memories through traditional handicrafts and materials, that transform them into new material elements through a continuous fusion of modern design.”

A desire to create a space that would emotionally resonate with visitors was among the key motivators behind the trajectory adopted by the Chinese architecture and design practice. In Vanke Joy Hill, this idea is brought to life through a play of scale, texture, form, and materiality, with intensive attention to detail given to how each element feels at home within its cultural context, and also puts its own spin on the contemporary luxury design aesthetic that is often associated with the lounge and showroom/sales centre typologies.

From the entrance itself, this notion manifests in the dark wooden grilles that line the space’s periphery. At one corner, a sinuous silver form is placed behind a dark wooden desk bearing the space’s branding. Recalling the rhythmically-placed window grilles in traditional Lingnan dwellings, their use on the walls signifies shelter from wind and rain, as the sense of enclosure they bring to the area diverges from the high-ceilinged spaces beyond.

Framed by textured stone columns, the reception area that follows, takes form as a vast hall that oozes grandeur. The red stone used to create these elements - which define the space's strong sense of axial perspective, pulling one towards its opposing end - was selected as a reference to the red sandstone used in the region's vernacular architecture. Conversely, the foliated surfaces of the columns impart a "collage of textures" that veer away from the traditional norms associated with sandstone in architecture. Befitting its function, the colonnade radiates an air of ceremonial order, to welcome processions of guests into the hall. At the end of their journey, visitors will be greeted by a textured stone reception counter decorated with the classic Yoruba Rose lamp by German designer Ingo Maurer, preceding a glossy scarlet back wall.

Above, suspended from the soaring plane of the slatted wooden ceiling, a sculptural installation in bamboo is the main focal point of the space, directing the eye upwards. Inspired by the undulating profiles of roof structures that crown Lingnan-style 'wok-ear' houses, this element was realised through the plasticity of bamboo strips, which were intertwined using straw-knitting techniques prevalent in Dongguan - a further implementation of intangible heritage within the design. The dynamic, contorted appearance of the resulting installation stands out within the space, with its complex organic form providing a stark departure from the geometric design sensibilities and muted materiality that characterises the rest of the reception area.

Craft also finds its way into the atrium further inside, which features a similar installation suspended from its ceiling. Assembled through methods similar to those employed for the earlier installation, its rippling surface morphs when viewed from different angles, and is coloured bright red to blend in with the bold chromatic themes of this zone. Red lacquered bookshelves extend this aesthetic and take advantage of the space’s scale, acting as glossy, stylised partitions which contribute to the elegant Eastern sensibility that permeates the overall design.

MDO collaborated with TIWU and Zhao Yun Studio on a number of elements, including the furniture designs that adorn the atrium - which were influenced by traditional paper cutting and folding techniques, as well as mortise and tenon joinery systems. As one side of the space flows into an external sit-out, separated by louvred clerestory windows, the other leads into a bar area that rests beneath a fibreglass PostKrisi lamp by Catellani & Smith, resembling a delicate lunar fragment floating over it.

Vanke Joy Hill also contains a tea room, media room, discussion and signing areas, a VIP room, a yoga space, changing rooms, and a dining space. The design team relays, "In the private dining area and tearoom, oriental knitting images have been translated into modern symbols. Through details, material considerations, and lighting design, the beauty of this area has been outlined.” Wooden grilles and slats run throughout the functional program, binding each distinct zone into a harmonious whole, adding a silent, gentle rhythm to the backdrop, letting the highlight elements take centre stage and pay heed to the Lingnan region’s rich cultural traditions.

Name: Vanke Joy Hill Location: Dongguan, Guangdong, China Design Scope: Space, Interior Decor, Lighting Area: 1100 sqm Year of Completion: October 2021 Developer: Dongguan Vanke Design Team: MDO (More Design Office) Design Directors: Justin Bridgland, Jaycee Chui Chief Designers: Tang Li, Liu Xiongjie Space Design: Cao Jiawen, Yu Mengwen, Xia Shengnan Interior Decor: Tang Yanping, Peng Haiyan, Zheng Yiyi Installation Partner: Twenty One Florist Studio Furniture Partner: Zhao Yun's Product Designer Studio

Jerry's work as a writer is fuelled by an innate desire to ascertain the driving forces behind exemplary architecture and design. An architect by education, he directs this interest towards crafting riveting narratives that attempt to capture the essence of creative endeavours from all over the world.

Jerry's work as a writer is fuelled by an innate desire to ascertain the driving forces behind exemplary architecture and design. An architect by education, he directs this interest towards crafting riveting narratives that attempt to capture the essence of creative endeavours from all over the world.

Writing with metal: Stilform Aeon, an elegant, sustainable pencil in aluminium, titanium, brass and magnesium with multiple tips, edifies the conventional wooden-graphite pencil.

The Greek wellness resort overlooking the Aegean Sea reveals a series of pared-back clustered spaces and expansive portals that resonate with its rugged landscape.

STIR speaks with Swati Janu about the role of gender in shaping public spaces and the impactful initiative that travelled across 6 Indian cities before culminating in Lyon, France.

STIR speaks with some of the greatest icons of our times – Dutch trend forecaster Lidewij Edelkoort dares to give voice to her convictions as one of the world’s foremost forecasters.

by Sunena V Maju Aug 10, 2022

get regular updates SIGN UP

© Copyright 2019-2022 STIR Design Private Limited. All rights reserved.

Or you can join with

Please confirm your email address and we'll send you a link to reset your password

with us and you can:

All your bookmarks will be available across all your devices from anywhere on the globe.

Or you can join with

Your preferences have been successfully saved to your profile.

Please select your profession for an enhanced experience.

Tap on things that interests you.

Select the Conversation Category you would like to watch

Please enter your details and click submit.